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Knapsack’s Day Three Of My New Life both defined and destroyed it
Permanent Records is an ongoing closer look at the records that matter most.
A group from sunny California out-gothed them all
Permanent Records is an ongoing closer look at the records that matter most.
Digable Planets’ debut album continues Reachin’
Permanent Records is an ongoing closer look at the records that matter most.
Beats, Rhymes And Life was A Tribe Called Quest’s commercial peak—and first misstep
In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Georgia O’Queef, meet Slutvomit: The year in band names 2013
Each year, The A.V. Club encounters thousands of bands, 97 percent of which we won’t remember. What makes a band memorable? A good sound? Sure, that helps. A persistent publicist? Also helpful (or har
With Band On The Run, Paul McCartney escaped The Beatles’ shadow
In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Buzzcocks played on the tension between punk and pop
Permanent Records is an ongoing closer look at the records that matter most.
Sinéad O’Connor got what she didn’t want: mainstream acceptance
In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
With The Game, Queen broke all the rules, including its own
In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
How Challengers became The New Pornographers’ most atypical—and best—album
Permanent Records is an ongoing closer look at the records that matter most.
A decade on, Madvillainy is still a masterpiece from hip-hop's illest duo
Permanent Records is an ongoing closer look at the records that matter most.
With Tragic Kingdom, No Doubt gave ska a chance
In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Green Day’s Dookie succeeded by being unapologetically fucked up
Permanent Records is an ongoing closer look at the records that matter most.
With Decemberunderground, AFI rode tacit approval all the way to the top
In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
You Fail Me proves hardcore can grow up without losing intensity
Permanent Records is an ongoing closer look at the records that matter most.
With Jar Of Flies, Alice In Chains unleashed an accidental masterpiece
In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Ratatat’s debut is a time capsule from a Brooklyn bedroom
Permanent Records is an ongoing closer look at the records that matter most.
Coldplay’s X&Y was its first very bad album—and its first no. 1
In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
With the La Bamba soundtrack, America got the chance to right some wrongs
In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Travis’ The Man Who paved the way for Coldplay’s sensitivity
Permanent Records is an ongoing closer look at the records that matter most.
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