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Laughing Hyenas: Life Of Crime

Laughing HyenasLife Of Crime (Touch And Go)
The Worst Band Names Of '07

Each year, The A.V. Club receives hundreds of albums, thousands of press releases, and several thousand more show listings for hundreds of venues around the country. At any given moment, our editors a
Waylon Jennings: The Ramblin' Man

Waylon JenningsThe Ramblin' Man(Buddha)
Harry Nilsson: Nilsson Sings Newman

Harry Nilsson Nilsson Sings Newman (Buddha)
2008: The Year In Band Names

Each year, The A.V. Club receives hundreds of albums, thousands of press releases, and several thousand more show listings for hundreds of venues around the country. At any given moment, our editors a
2009: The Year in Band Names

So many factors influence the naming of a band—musical style, location, attitude, goals, personalities, desperate need to stick out/sound deep—that it's no wonder The A.V. Club finds an endless bounty
2010: The year in band names

A new year means more than crowded gyms for a few weeks: All across the world, people are vowing to make 2011 the year they finally start a band. And when they do, they’ll need a name—and chances are,
Def Leppard’s Hysteria

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
Huey Lewis And The News’ Sports

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
Michael Jackson’s Bad

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
Pink Floyd’s The Wall

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
Lady Gaga’s Born This Way

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
Counting Crows’ Recovering The Satellites

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
The Eagles’ Their Greatest Hits: 1971-75

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
Kanye West’s 808s And Heartbreak

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
REO Speedwagon’s Hi Infidelity

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
Garth Brooks’ Ropin' The Wind

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
Stevie Wonder’s Songs In The Key Of Life

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
The Rolling Stones’ Tattoo You

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept
The Doors’ Waiting For The Sun

In We’re No. 1, A.V. Club music editor Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept

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