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Jay-Z and Linkin Park’s Collision Course was at once a cash-in and a labor of love

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Texas Is The Reason’s Do You Know Who You Are? asks the big question

When I first heard Texas Is The Reason, I thought it was a joke.
Bush had fame, but with Razorblade Suitcase, it wanted credibility

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Elastica’s debut stole from the best, embodying Britpop while staying punk

Growing up in Florida during the ’70s, I always understood provincial music. Southern rock was the soundtrack to my childhood. So when I got into punk in the ’80s, the idea of regional scenes made sen
In a decade where U2 got weird, Zooropa was the band’s weirdest effort

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be “popular” in pop music, and how that concept has changed over the
The one-and-done Postal Service album gets a deluxe anniversary party

When it was released in 2003, nobody expected The Postal Service’s first—and as it turns out, only—album, Give Up, to gate-crash the mainstream the way it did. For those closely following Death Cab Fo
The surprisingly subversive album that changed stand-up comedy forever

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
The Breeders’ Last Splash is a rallying cry for the weirdos and stereotype-flouters

Permanent Records is an ongoing closer look at the records that matter most.
Backstreet Boys’ Millennium was the opening shot of the early-’00s boy-band sales war

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Screw The Strokes: How The Dandy Warhols kick-started the ’00s rock ’n’ roll revival

Permanent Records is an ongoing closer look at the records that matter most.
Just like the white wing dove, Stevie Nicks’ solo debut soared

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Group Sounds was Rocket From The Crypt’s glorious restatement of purpose

In the early ’90s, when major labels raided the independent punk and hardcore scenes looking for the next big thing, few of the bands swept up in the signing frenzy produced their best work. One that
The emancipation of N’Sync

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
14 songs about seven people, two houses, a motorcycle, and a locked treatment facility for adolescent boys

Permanent Records is an ongoing closer look at the records that matter most.
New Bomb Turks’ !!Destroy-Oh-Boy!! was a sarcastic, snarling counterpoint to the grunge era

Permanent Records is an ongoing closer look at the records that matter most.
With Shaft, Isaac Hayes fomented a soundtrack revolution

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Built To Spill’s Keep It Like A Secret is the sound of harmony between extremes

Permanent Records is an ongoing closer look at the records that matter most.
The Go-Go’s made history with Beauty And The Beat—and barely survived it

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Genesis’ Abacab is art rock for pop people

Permanent Records is an ongoing closer look at the records that matter most.
Blink-182 took punk to No. 1 for the first time with a masturbation pun

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

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