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With “Mr. Big Stuff,” Jean Knight recorded a feminist anthem

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
“We Didn’t Start The Fire” was an accidental hit that captured craziness

In We’re No. 1, The A.V. Club examines a song or an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed o
Pink Floyd’s The Division Bell is a lesson in the unfortunate power of nostalgia

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
Men At Work’s “Who Can It Be Now?” blurs the line between private and crazy

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
When great records breed bad followers: The ups and downs of Van Halen

Permanent Records is an ongoing closer look at the records that matter most.
If you can do the Bartman, you’re bad like Michael Jackson

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
With Life Won’t Wait, Rancid nearly made good on its Clash-inspired promise

Permanent Records is an ongoing closer look at the records that matter most.
Encore, once considered Eminem’s worst, stands as satire within chaos

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye
From Elvis In Memphis is the only Elvis Presley record you need

Permanent Records is an ongoing closer look at the records that matter most.
With “Sex And Candy,” Marcy Playground turned disco gibberish into alternative gold

In We’re No. 1, The A.V. Club examines a song that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that has changed over the years. In th
Forever Changes is a stunning indictment of The Summer Of Love

Permanent Records is an ongoing closer look at the records that matter most.
Americans were bound to hate The Streets’ Original Pirate Material

Permanent Records is an ongoing closer look at the records that matter most.
After Illmatic, Nas had to return to Earth

In We’re No. 1, The A.V. Club examines a song that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that has changed over the years. In th
With Dirty Mind, Prince dropped the double entendres

Permanent Records is an ongoing closer look at the records that matter most.
60 minutes of Madonna that show why she matters, as a musician and a cultural figure

The singer born Madonna Louise Ciccone has had one of pop’s most fascinating careers from a theoretician’s point of view—and fairly often over the past 35-plus years, her music’s been almost peerless,
With Nine Lives, Aerosmith managed one last gasp of greatness

In We’re No. 1, The A.V. Club examines a song that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that has changed over the years. In th
On Laid, Brian Eno helped James find its footing

Permanent Records is an ongoing closer look at the records that matter most.
Townes Van Zandt finally came to life on Live At The Old Quarter

Permanent Records is an ongoing closer look at the records that matter most.
With Otis Blue, Otis Redding changed the landscape of soul music

Permanent Records is an ongoing closer look at the records that matter most.
Michael Jackson’s “You Are Not Alone” is creepier and sadder than you think

In We’re No. 1, The A.V. Club examines a song that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that has changed over the years. In th

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